Book Review of It’s All or Nothing, Vale


Discovering Resilience in "It’s All or Nothing, Vale"

As a book blogger and a newly minted member of the injury club myself—having just undergone ankle surgery—I was instantly drawn to "It’s All or Nothing, Vale" by Cynthia V. Toman. This novel-in-verse explores the struggles of 12-year-old Valentina Camacho, who finds herself grappling with the high stakes of recovery after a motorbike accident. Vale’s journey resonates deeply with me, as her frustration, determination, and search for meaning amidst physical limitations highlight the universal challenges we face when life throws us curveballs.

From the very first lines, Toman immerses us in Vale’s world, where fencing was once her heartbeat, a sport that forged her identity and friendships. As Vale navigates the unpredictability of recovery, we witness her current feelings of inadequacy and grief over what she perceives as lost. The dual narrative of physical pain and emotional turmoil is beautifully articulated; Toman doesn’t shy away from capturing Vale’s inner conflict, making her angst palpable. The interplay between Vale’s relationships—her supportive yet equally competitive brother, her well-meaning but pressure-heavy mother, and the new (and unexpectedly kind) fencer Myrka—paints a multifaceted picture of resilience and friendship.

What struck me the most was Toman’s unique writing style. The novel flows like a lyrical meditation on pain, recovery, and ultimately, self-acceptance. Each verse is imbued with heartfelt emotion, reflecting Vale’s journey with both sensitivity and an artistry that invites readers to pause and reflect. Toman adeptly utilizes the form to convey complex feelings in a way that resonates, especially with middle graders on the cusp of understanding their identities.

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Vale‘s observations, particularly her thoughts on competition and her own worth, raised questions that lingered with me after I closed the book. The moments when Vale questions whether she’s disabled or laments about her singular focus on fencing were not just poignant; they were reflective of voices I’ve heard in my coaching experiences. A standout part of the story occurs after a competition, where Vale overhears her teammates implying Myrka let her win. This scene encapsulates how ambition, fear, and friendships intersect in a young athlete’s life.

If there’s a critique to be voiced, it would be my desire for deeper exploration into Vale’s relationship with her mother’s "all or nothing" mentality—how this shaped her identity and added pressure. It’s a reminder of an all-too-common reality in youth sports, where the weight of expectations can obscure broader aspirations. I think Toman could have further enriched this dynamic; ultimately, Vale is more than just a fencer, but her journey prompts reflection on where we place our hopes.

"It’s All or Nothing, Vale" is an empowering read for anyone navigating recovery or grappling with their identity in sports. Fans of Toman’s previous work, like "Something Like Home" or books like "Preller’s Shaken," will find solace and strength here. This story filled me with compassion for both Vale and myself in this period of recuperation. It serves as a powerful reminder that it’s okay to step back, seek help, and reclaim joy—both in sports and in life.

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So if you’re looking for a heartfelt exploration of resilience or simply a compelling story about navigating the ups and downs of adolescence, this book deserves a spot on your reading list.

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